It is worth mentioning that the art of Ebro not only characterized by the presumption of art "Suminagashi" in the Far East with their gear and dyeing, colors, and forms, but in nature and the nature of its own, too. But the feature that gave this art authentic identity, is reflected in the diverse cultural and artistic colors, revealing the richness of heritage in the civilization that lived under the shadow, and then presenting art and beauty in the range of spiritual inner philosophy dimensions Tsofih, that is, heritage and culture mirror that emerged from them. It is not intended heritage Here, habits experienced by people and handled among them.
It is no exaggeration if we say that the most beautiful graphics Ebro exist in Turkey, especially the paintings which are made by artists who live in Istanbul. The images Ebro At amounted Nowadays Hzh- evolutionary stage unprecedented, where you add to the aesthetic form and meaning, dazzled the eyes and hearts and charmed Khlapt kernels. Perhaps this expansion and rapid deployment Ebro classical art, and thus increase its educational centers in Turkey, especially in Istanbul, led to its distance from the original identity and the loss of spiritual influence .. The values affected by external cultural factors are not consistent with the character and self-identity. This will put us in front of two two-fold; either that the art of Ebro continue as a mirror reflecting the spiritual philosophy and outlook cosmic culture authentic, either that sheds from their roots and departs from the concepts shown by since ages and becomes only the art of decoration .. But in spite of all these changes and cultural shifts that have occurred the people, the art of Ebro has existed maintains its position in the Islamic civilization.
What motives that made us stick to the art of Ebro to this degree? Why feel this art a lot of us that art Theosophic despite the lack of a figurative for the other arts?
Those who cared for the art of Ebro and Oortoh generations after them, and on top of Associates of hospice Azbakia in Oskdar Istanbul, are the ones who were able to competently to nurture this art Broham and feelings and values that decorate them their material and spiritual, and perceptions that they looked through which the value of rights to exist .. I have contributed a lot of artists and calligraphers and printmakers in the evolution of the art of Ebro, and tried to keep it honestly over the ages.
Flohat Ebro, which was sold to Sahafan to secure the needs of the pilgrims coming from Uzbekistan and residents in hospice Azbakia .. and dervishes who stripped their ideas of the concerns mundane while standing at the sink, and novels that remember that Mr. "preacher Mohammed" died burned to death when he wanted to save his drawings of the fire .. the Bookbinders who coated the books motifs Ebro, and Sheikh "Adham Hazrfan Effendi" who made innovative work in the field of art and science .. the Professor "Necmettin Okiea" made famous calligraphy carved roses especially Bapetkarh panel Ebro, which draw upon the word Majesty, and "Mustafa Dozkunman" Attar, who was able to art Ebro lived for many years in Oskdar area who excelled the "Ibronamh" .. In addition to those who have inherited this art right from their grandparents and their teachers and walked the same spirit and meaning in it ... all internalized the art of Ebro aesthetic touch of their lives and Okspoh status high-great importance among other Islamic Arts.
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